Author
Richard Dudas
Abstract
A common problem of sound transposition is that the spectra of the resulting transpositions are often very unconvincing to the human ear in terms of their relation to the original sound. This paper examines the problem, takes a look at some existing solutions and their drawbacks and proposes a generalized method to correct this “unconvincingness” which can be used on a variety of instrumental and non-instrumental sounds.
Download the entire paper in PDF format
Published in:
- Proceedings of the International Computer Music Conference (ICMC), Göteborg, Sweden, 2002, pp. 126-129
- ISSN 2223-3881 (Online)
- View the paper at the online ICMC Proceedings website
Where this paper has been cited:
• Mays, Tom, “L’harmoniseur augmenté: le dispositif d’écriture mixte dans l’oeuvre ‘Le Patch bien tempéré III’”, Proceedings of the 2015 Journées d’Informatique Musicale, Montreal, Canada, 2015
• Savage, James, “Developing a Chromatic Interface for Real-Time Digital Harmonisation of Saxophone Performance”, Proceedings of the International Computer Music Conference (ICMC), Perth, Australia, 2013
• Dixon, Gregory H., Fractures for Clarinet and Computer, PhD Dissertation, University of North Texas, Denton, Texas, USA, 2012
• Dudas, Richard, “Developing Real-Time Systems for Concert Performance”, Proceedings of the 2012 Australasian Computer Music Conference, Brisbane, Australia, 2012
• Ellison, C., Ong, B., Ng, K., “iRock Interactive Multimedia System”, Proceedings of the Sixteenth International Conference on Distributed Multimedia Systems (DMS), Chicago, Illinois, USA, 2010
• Vigliensoni, Gabriel M., “Real-Time Sound Freezing and Spectral Shifting”, MUMT605 / Final Project Report, McGill University, Quebec, Canada, 2010
• Vézien, M. et al., “Multisensory VR exploration for computer fluid dynamics in the CoRSAIRe project”, Virtual Reality, Volume 13, Issue 4, December 2009, Springer, London, UK, 2009 (alternate link here)
• Clarke, Michael, “Enmeshed: live in 3D fog~”, Proceedings of the 2006 International Computer Music Conference (ICMC), New Orleans, Louisiana, USA, 2006
• Vincent, Emmanuel, Modèles d’instruments pour la séparation de sources et la transcription d’enregistrements musicaux, Doctoral thesis, Univ. Paris VI – Pierre et Marie Curie, France, 2004
• Pallone, Grégory, Dilatation et transposition sous contraintes perceptives des signaux audio : application au transfert cinema-video, Doctoral Thesis, Universite d’Aix-Marseille II École Doctorale de Mecanique, Physique et Modelisation, France, 2003