Supporting the Sound Description Interchange Format in the Max/MSP Environment

Authors

Matthew Wright, Richard Dudas, Sami Khoury, Raymond Wang, David Zicarelli

Abstract

We have added support for the Sound Description Interchange Format to the Max/MSP environment. We briefly introduce SDIF and Max/MSP, describe how SDIF data is represented in MSP and how to write programs to manupulate SDIF data, and demonstrate example applications.

Download the entire paper in PDF format

Published in: 

Where this paper has been cited:

• Doyle, Tony, Spectral Precedence Methodologies in Spatial Auditory Research: Perceptual Evaluation of Spatial Attributes in 2D and 3D Virtual Auditory Display Environments, Doctoral thesis, University of Limerick, Ireland, 2015

• Agostini, A., Daubresse, E., Ghisi, D., “Cage: una libreria di alto livello per la composizione assistita da computer in tempo reale,” Dialoghi sul Comporre, Budrio, Italy, 2015.

• Scholl, Steffen, Musik – Raum – Technik: Zur Entwicklung und Anwendung der graphischen Programmierumgebung »Max«, Transcript Verlag, Bielefeld, Germany, 2014.

• Agostini, A., Daubresse, E., Ghisi, D., “Cage: a High-Level Library for Real-Time Computer-Aided Composition,” Proceedings of the Joint International Computer Music Conference (ICMC) and Sound and Music Computing Conference (SMC), Athens, Greece, 2014, pp. 308–313.

• Eakin, Richard, An Interactive System for Visualizing and Manipulating Spectral Data – Musical Instrument Design through Experimentation, Masters Thesis, Department of Information and Communication Technologies Universitat Pompeu Fabra, Barcelona, Spain, 2009

• Eakin, R., Serra, X., “SMSPD, LIBSMS and a Real-Time SMS Instrument”Proceedings of the 12th International Conference on Digital Audio Effects (DAFx), Como, Italy, 2009

• Klingbeil, Michael, Spectral Analysis, Editing, and Resynthesis: Methods and Applications, Doctoral Dissertation, Columbia University, 2009

• Schnell, N. et al., “MuBu and Friends–Assembling Tools for Content Based Real-Time Interactive Audio Processing in Max/MSP”Proceedings of the International Computer Music Conference (ICMC), Montreal, Quebec, Canada, 2009

• Casalonga, T. et al., “Computer aided Characterization, and Synthesis of Corsican Songs”First International Symposium on Environment Identities and Mediterranean Area (ISEIMA), IEEE, 2006

• Bogaards, N., Röbel, A., Rodet, X., “Sound Analysis and Processing with AudioSculpt 2”Proceedings of the International Computer Music Conference (ICMC), Miami, Florida, USA, 2004

• Schwarz, Diemo, Data-Driven Concatenative Sound Synthesis, Doctoral thesis, Univ. Paris VI – Pierre et Marie Curie, France, 2004

• Verfaille, Vincent, Effets audionumériques adaptatifs: théorie, mise en œuvre et usage en création musicale numérique, Doctoral Dissertation, Université de la Méditerranée-Aix-Marseille II, 2003.

• Todoroff, Todor, “Control of Digital Audio Effects” (Chapter 12), DAFX – Digital Audio Effects, First Edition, Udo Zölzer, editor, John Wiley and Sons, Chichester, England, UK, 2002

• Jensenius, Alexander, How do we recognize a song in one second? – The Importance of Salience and Sound in Music Perception, M.A. Thesis in Music Technology, Department of Music and Theatre, University of Oslo, 2002

• Rioux, V., Poletti, M., “An experimental SDIF-sampler in Max/MSP”Proceedings of the International Computer Music Conference (ICMC), Göteborg, Sweden, 2002

• Thibault, F., Depalle, P., “OLW: An Extension to MSP for the Implementation of Overlap-Windowing Techniques”,  Proceedings of the International Computer Music Conference (ICMC), Göteborg, Sweden, 2002

• Chaudhary, Amar, Perceptual scheduling in real-time music and audio applications, PhD. Dissertation, University of California, Berkeley, 2001

• Garnett, G. E., Jonnalagadda, M. et al., “Technological Advances for Conducting a Virtual Ensemble”Proceedings of the International Computer Music Conference (ICMC), Havana, Cuba, 2001

• De Boer, M., Bonada, J., Serra, X., “Using the Sound Description Interchange Format within the SMS Applications”Proceedings of the International Computer Music Conference (ICMC), Berlin, Germany, 2000

• Dobson, Richard W., “Developments in Audio File Formats”Proceedings of the International Computer Music Conference (ICMC), Berlin, Germany, 2000

• Schwarz, D., Wright, M., “Extensions and applications of the sdif sound description interchange format”Proceedings of the International Computer Music Conference (ICMC), Berlin, Germany, 2000

• Chaudhary, A., Freed, A., Wright, M., “An open architecture for real-time audio processing software”Proceedings of the Audio Engineering Society 107th Convention, New York, 1999

• Wright, M. et al., “Audio applications of the sound description interchange format standard”Proceedings of the Audio Engineering Society 107th Convention, New York, 1999