Recent Work Around Modalys and Modal Synthesis

Authors

Francisco Iovino, René Caussé, Richard Dudas

Abstract

The originality and flexibility of the physical modelling synthesizer Modalys is being continously validated by an ever-growing community of users made up of composers, acousticians and musicologists alike. In this paper we will present the main lines that have oriented recent research around Modalys. These can be summarized: (1) Exploration and tentative classification of the musical possibilities of Modalys. (2) Use of modal synthesis as a meeting point between signal synthesis and physical modelling synthesis. (3) Port of Modalys to a real-time platform.

Download the entire paper in PDF format

Published in:

Where this paper has been cited:

• Gerzso, Andrew, “Aspects of Musical Research at IRCAM”Contemporary Music Review, Vol. 32 Issue 1, Taylor & Francis, 2013.

• Picard, C. et al., “Advances in Modal Analysis Using a Robust and Multiscale Method”EURASIP Journal on Advances in Signal Processing, 2010

• Frisson, C. et al., “Project# 03 Multimodal Guitar: Performance Toolbox and Study Workbench”Proceedings of the 5th International Summer Workshop on Multimodal Interfaces – eNTERFACE, Genoa, Italy, 2009

• Frisson, C. et al., “Multimodal Guitar: Performance Toolbox and Study Workbench”Quarterly Progress Scientific Reports (QPSR) of the numediart Research Program, Vol. 2 No. 3, Ed. by Thierry Dutoit and Benoît Macq, 2009

• Picard-Limpens, Cécile, Expressive Sound Synthesis for Animation, Doctoral Dissertation, Université de Nice Sophia-Antipolis, France, 2009

• Picard, C. et al., “A Robust and Multi-scale Modal Analysis for Sound Synthesis”Proceedings of the 12th International Conference on Digital Audio Effects (DAFx), Como, Italy, 2009

• Alessandrini, Patricia, Temporal problematics raised by two metric versions of Luciano Berio’s “Sequenza VII”: A computer-assisted analysis and its implications for computer-aided composition, Ph.D. Dissertation, Princeton University, New Jersey, USA, 2008

• Vinet, Hugues, “Science and Technology of Music and Sound: the IRCAM Roadmap”Journal of New Music Research, Vol. 36 Issue 3, 2007

• Vinet, Hugues, “Applications musicales du traitement de signal: synthèse et prospective” [Musical Applications of Signal Processing: Synthesis and Prospect], Traitement du Signal, Vol. 23, No. 5-6-NS, 2006

• Suied, C. et al., “Toward a sound design methodology: Application to electronic automotive sounds”Proceedings of the 11th International Conference on Auditory Display (ICAD), Limerick, Ireland, 2005

• Settel, Zack, The Use of Real-Time Interactive Music Systems in Music Composition and Performance, Doctoral Thesis, University of Montreal, Quebec, Canada, 2001 (alternate link here)

• Iovino, F., Schnell, N., Lartillot, O., “Modalys in jMax: Real-Time Modal Synthesis”Proceedings of the International Computer Music Conference (ICMC), Beijing, China, 1999

• Vinet, Hugues “Recent Research and Development at IRCAM”Computer Music Journal, Vol. 23 No. 3, 1999

• Reyes, J., Lawson, C., “A Proposal for using SMS for Expression Modeling”Proceedings of the 1st COST-G6 Workshop on Digital Audio Effects (DAFx), Barcelona, Spain, 1998 (alternate html version is here)

• Wanderley, M. M. et al., “Gestural Research at IRCAM: a Progress Report”Proceedings of the Journées d’Informatique Musicale (JIM), CNRS-LMA, La Londe-les-Maures, France, 1998