EDUCATION

2001-04              University of California, Berkeley, California, USA
Ph.D., Music Composition, 2004
Dissertation: Lyric Movement for Violin, Winds and Electronics
Composition studies with Edmund Campion and John Thow
Computer Music studies at CNMAT (Center for New Music and Audio Technologies) with David Wessel

1998-01              University of California, Berkeley, California, USA
M.A., Music Composition, 2001
Composition Studies with John Thow and Olly Wilson
Computer Music studies at CNMAT with David Wessel

1992-96              Conservatoire National de Région de Nice, France
Study of Composition and Electro-Acoustic Studio Techniques with Michel Pascal
Studies and Studio work at CIRM (Centre Interational de Recherche Musicale) with Michel Redolfi
Académie d’Été at IRCAM (Institut de Recherche et Coördination Acoustique/Musique), Paris, 1994
Workshops with Jean-Claude Risset, Terry Riley and Guy Reibel, 1992

1990-92      Liszt Ferenc Zeneművészeti Főiskola (Franz Liszt Academy of Music), Budapest, Hungary
Study of Composition with János Vajda
Harpsichord studies with Anikó Horváth
Computer music work in the Magyar Radió Electronic Music Studio

1989-90              Lugano Academy of the Electronic Arts – Summer Academy, Lugano, Switzerland
Workshops with Joel Chadabe, Bruno Spoerri and Kenneth J. Peacock

1986-90              Peabody Conservatory of Music of the Johns Hopkins University, Baltimore, Maryland, USA
B.Mus, Music Composition, 1990
Composition studies with Jean Eichelberger Ivey, Robert Hall Lewis and Morris Moshe Cotel
Electronic and Computer Music studies with Jean Ivey, Geoffrey Wright and McGregor Boyle
Masterclasses with Lukas Foss, Jacob Druckman and Barton and Priscilla McLean, 1989, 1990
Instrumental minor in Viola with Richard Field
Additional Piano studies with Patricia Scarpati
Dean’s List 1989, 1990
Editor, Peabody Composers’ Forum, 1989, 1990

EMPLOYMENT / TEACHING

2008–present              Hanyang University, Seoul, Korea
Assistant Professor, School of Music, Department of Composition
Instructor for Graduate and Undergraduate courses in computer music and composition
                       (see Courses Taught, below)
                       Individual lessons and mentoring for Graduate and Undergraduate composition students

1998–08              Cycling ’74, Inc., San Francisco, California, USA
Musical software research and development (C programming) for Max/MSP software
Co-development with Giuseppe DiGiugno for “MIRA” DSP project at La Kitchen, Paris, 2000
Graphic design for “Pluggo” software packaging, 1998

2007              Hanyang University, Seoul, Korea
Visiting Lecturer, School of Music, Department of Composition (two-semester teaching position):
Instructor for Graduate and Undergraduate level courses (see Courses Taught, below)

2002             State University of New York at Buffalo, Buffalo, New York, USA
Visiting Lecturer, Music Department (one-semester teaching position):
Instructor for Graduate and Undergraduate level courses (see Courses Taught, below)
                       Individual lessons and mentoring for Graduate composition students

1999-01              University of California, Berkeley, Berkeley, California, USA
Graduate Student Instructor, Music Department:
Librarian for U.C. Berkeley Symphony Orchestra, 2001
Instructor for various Undergraduate music courses (see Courses Taught, below)

1998-99              Center for New Music and Audio Technologies (CNMAT), Berkeley, California, USA
Musical software development (C programming)

1997-98              Institut de Recherche et Coördination Acoustique/Musique (IRCAM), Paris, France
Animateur du Forum: Technical support, Conferences and Presentations of IRCAM software/technology

1996-98              IRCAM Pédagogie, Paris, France
Assistant Musical Chargé de Cours: Instructor for the one-year Cursus (see Courses Taught, below)
Instructor for Summer and weekend software workshops (see Courses Taught, below)

REFEREED JOURNAL/CONFERENCE PUBLICATIONS/PRESENTATIONS

2010             “Comprovisation”: The Various Facets of Composed Improvisation within Interactive Performance Systems
Leonardo Music Journal, Vol 20, The MIT Press, Cambridge, Massachusetts, USA, 2010, pp. 29-31

2010             A Computer Music Curriculum for the 21st Century(co-authored with Jongwoo Yim)
Seventh International Conference of the Electroacoustic Music Studies Network, Shanghai, China, 2010

2007             New Media Music at Hanyang University: Studio Report (co-authored with Jongwoo Yim)
Proceedings of the International Computer Music Conference, Copenhagen, Denmark, 2007, pp. 337-340

2002              Spectral Envelope Correction for Real-Time Transposition: Proposal of a “Floating-Formant” Method
Proceedings of the International Computer Music Conference, Göteborg, Sweden, 2002, pp. 126-129

1999              Gestural Control of a Real-Time Model of a Bowed String Instrument (with Serafin, Rodet, et al.)
Proceedings of the International Computer Music Conference, Beijing, China, 1999, pp. 375-378

1999              Musical Applications of New Filter Extensions to Max/MSP (with Jehan, Freed)
Proceedings of the International Computer Music Conference, Beijing, China, 1999, pp. 504-507

1999              Supporting the Sound Description Interchange Format in Max/MSP(with Wright, Khoury et al.)
Proceedings of the International Computer Music Conference, Beijing, China, 1999, pp. 182-185

1998             NVM – a Modular Real-Time Physical Modeling Synthesis System for MSP
Proceedings of the International Computer Music Conference, Ann Arbor, Michigan, USA, 1998, pp. 268-271

1997              Recent Work Around Modalys and Modal Synthesis (with Iovino, Causse, et al.)
Proceedings of the International Computer Music Conference, Thessaloniki, Hellas, 1997, pp. 356-359

NON-REFEREED PUBLICATIONS

2007              Booklet Text for Time Pieces –  60 years of American music for clarinet and piano
Clarinet Classics CD CC0054, Clarinet Classics, London, UK

2007             The Phase Vocoder (Part II) (co-authored with Cort Lippe)
www . cycling74 . com  (on-line publication, roughly 6 pages), Cycling ’74, Inc., May 2007

2006             The Phase Vocoder (Part I) (co-authored with Cort Lippe)
www . cycling74 . com  (on-line publication, roughly 8 pages), Cycling ’74, Inc., October 2006

2000             An Alternative Controller for a Virtual Bowed String Instrument (co-authored with Stefania Serafin)
Trends in Gestural Control of Music (CD-ROM), IRCAM, Paris, pp. 511-522

PROFESSIONAL ORGANIZATION AFFILIATION

2010-present              Asia Computer Music Project (ACMP)
Gereral member of the association

2010-present              Japanese Sonic Arts Society (JSSA)
Gereral member of the association

2009-present              Korean Electro Acoustic Music Association (KEAMS)
On the editing committee of the association's journal Emile 2011-present
Gereral member of the association since 2009-present

2008-present              Electronic Music Foundation (EMF)
Gereral member of the association

1997-present              International Computer Music Association (ICMA)
Elected At-Large Board Member 2008-present
Gereral member of the association 1997-2007

MUSICAL ENSEMBLE PERFORMANCE EXPERIENCE

2006-07      The Boulder Messiah Chorale and Orchestra
viola section member

2005-07              Longmont Symphony Orchestra
viola section member

2000-04              U.C. Berkeley Symphony Orchestra
viola section member

1998-01              Collegium Musicum, U.C. Berkeley
Renaissance recorder consort member
Venice 1600 concert, Sixth Biennial Berkeley Festival and Exhibition, 2000
A Divine and Universal Venison, Sixth Biennial Berkeley Festival and Exhibition (fringe event), 2000
Fête at Fontainebleu concert with The King’s Noyse, Berkeley, California, 1999